The answer
Because so far the tight leash is the command, and nothing has been attached to the moment it goes slack. The unit these trainers build everything from has three parts, and most owners only run the first. Pressure goes on, low and steady. The dog works out what turns it off. The pressure comes off the instant he does, and then something he wants happens: sniffing, a game, a run, belly rubs, the run of the yard. A trainer puts it to a client as how anyone learns: pressure gets put on us, we work out how to get out of it, and we get out of it. Another spells out the failure: keep pulling after the dog is already down and nothing was reinforced, because nothing changed when he got it right. Three handover lessons in one September week name the same failure in the heel: owners hold pressure continuously, even with the dog in the spot, when pressure belongs everywhere he should not be and leaves the moment he is in the pocket - "only one spot in the world that there's no pressure" (Chunk, Boog, Stormi), and Connor named the same failure at the March Zeus's first in-program lesson: pull the whole time and the dog cannot work out what is causing the pressure, so he learns nothing. The fix on film is to put the word on the relief. With Bo the trainer lets him hit the end of the line, reels him in, and names the recall at the instant he is already coming in, and the first real verbal response comes in the same session. With Roxy the trainer teaches the movement with a light tug and says nothing at all, then adds the word after a break. The pressure is built to shrink: leash and e-collar are paired until they mean the same thing (Cosmo, Neo, Penny, Shadow), then a light tug or the word alone does the job, and a dog taught this way responds to pressure he feels, not to how much line there is (Zeus, Murphy). Mazi's trainer turns that into a check: if you need large amounts of pressure to get your dog to listen, pressure has not been conditioned properly. Kelton puts the whole method in one sentence at Marvin's go-home - 'It's a pressure and release' - and folds treats into it: wanting the treat is the pressure, getting it is the release (Sputnik's go-home says the same). The release is the pay, not just the end of the rep: 'there's always positive reinforcement on the back end', and with Piglet the trainer says he reconciles after every single pressure and leaves long stretches with none at all. Two limits are stated on camera. The pressure must be something the dog can control and escape; otherwise, one trainer says, it creates psychological trauma, and Sofia's family were told in Spanish that pressure with no clear goal is abuse. And what comes out must be understanding, not suppression; Drago's file shows the method's own cost, a dog made so sensitive to the leash that he started to look scared and had his pressure turned down. Inferred rather than said: nobody puts a number on how long pressure may be held or how strong 'a little' is. The dose is read off the dog in the moment, and sessions that go wrong are diagnosed afterwards rather than prevented by a rule.
Angier K9 is a family-owned, play-based Board & Train serving Angier, Raleigh and the Triangle, with three full owner lessons.
What to do
Put a little pressure on, hold it, and let go the instant he does the thing; then pay him with what he actually wants (sniffing, a game, his freedom). Say the word as the pressure ends, not while you are still pulling. Do not give up because he fights it: 'if they fight it enough you'll give up' is what he learns if you do (Stormy, watch 24:20). And give him long stretches with no pressure at all (Piglet, watch 36:12).
What the trainers say
forcing them into the down it's like how will you learn from that well you learn from uh we all do we learn from pressure pressure gets put on us yep and then we like are like oh my gosh how do i get out of this and then we like try to figure it out when we solve the puzzle about how to get out of the pressure and we get out of it
pull down on a leash and they go into a down, you stop pulling on the leash. If you kept pulling on the leash and they have already gone into the down and then they get back up and they're like, I don't
and then I'm gonna reel him in and as soon as he's coming in off the leash pressure right away I'm gonna use that to attach a word to it as soon as he does it right really quickly
tugging the leash and then she just sits. I'm not saying sit. I am only teaching her the move. The not the command, the move.
Of course, they're like a release of freedom, so there's always positive reinforcement on the back end.
Yeah, so pressure goes away, play comes back,
where they're staying and then also learning baseline concepts that aren't commands so like an example of a baseline concept is if you feel the end of a leash or you feel at least pulling a certain direction you should move you should go with it you should give to leash pressure okay instead of bracing that's a baseline concept that you need to teach a dog with pressure
is how she gets out of it okay okay because what dogs learn sometimes is if they fight it enough you'll give up yeah and if you fight it enough and they give up and you give up yeah they win
But what you want them to learn is the opposite is if they just go ahead and give to it Then they they win Because the pressure is gone because that's what winning means
command and then of course you saw afterwards and this is important we do it every time i try to do it every single time i put any pressure on a dog we reconcile afterwards somehow she's got to get a release to freedom
large swaths of time when there's no pressure that she feels. She doesn't feel like I'm requiring anything of her. She's completely free to choose.
But if I don't allow him to return to baseline, the pressure never ends. And so then he learns the wrong thing.
whether it's like pressure or any kind of like um which we'll go into this next is like penalties yeah they have to be contingent on things we control yeah otherwise it just creates psychological trauma right if we don't know why it happened and we can't avoid it
Si ella no sabe cómo evitarla porque no está clara, eso está muy mal.
every time he yanks on me and he feels the pressure from his collar and literally at that exact moment that the pressure hits he gets a knee collar too
it automatically, in her brain, she's like, oh, the end of the leash is electric.
No matter how short I cut it. If I cut it right here, he stops. All the way out there, he stops. Right here, he stops. So at any length, if you just shorten the leash and he feels that he's gonna walk close to you, he's not gonna pull anymore.
To sensitize them to leash pressure, the best way to do it is to make it abnormal. So if they don't feel leash pressure all the time and then when they do feel it, it's quick, like a pop instead of like a steady pressure, then they're like, oh.
kind of snap him out of it because the e-collar it doesn't provide direction on where or what to do right the leash does
i think of it like essentially three three like three ways you can blend right so you have social pressure you have physical pressure
to like feel the pressure and be like i can't get out of it so i have to calm down there's no option
it will make the command, it will look like they're depressed, like they did worse with it. And it's because there's more pressure out of the puzzle that they have to solve. And so sometimes they will kind of, like, panic a little bit and try a different option.
And then now she's learned to stay up there without being in like a weird suppression zone where she's just staying up there, not because she understands, but because she's just not holding, so she doesn't get in trouble.
but it is a breakthrough for him mentally to learn that if he can push through that and figure out the right thing to do if he does the the the thing that like is the solution to that puzzle the the pressure from both things completely melts away
but in reality that's not really how it works you create pressure everywhere that you don't want him to be and then when he gets in the right zone pressure leaves immediately
because what i want him to learn is that with heel there's only one spot in the world that there's no pressure and it's next to my leg
not going to hold the pressure and force her into the spot right i only apply pressure from the leash or from the e-collar when she gets out of position that way she learns that the no pressure zone
next time as you start to see hey i might need to do my laundry soon you just go ahead and do it you're like man i don't want to hear all that mess again
say i want him to down and he didn't go down i could pull on the leash a little bit and tap the e-collar and then as soon as he goes into the down all the pressure goes away and then i release the freedom and or reward some other way
so if you're having to put on like large amounts of pressure to get your dog to listen then you probably haven't conditioned pressure in the right way for them what we want is pressure to be a clear signal
so I think what I do is I just like pull down on the e-collar and if you're willing to hold that tension and not give in then there there really is not a too far, right?
a necesitar a reenforzar, reenforzar todos los mandos negativamente y también positivamente.
that. Um, but yeah, it's all just, if I, if I could simplify dog training, it, you could say it in like one sentence. Yeah. It's a pressure and release. Yeah. That's it. It doesn't matter
think the foundation of all dog training is pressure and then release and that's the same thing for treats actually right what's the pressure they want the treat real bad right
and a heel whatever it is you're looking for them to hit that place and as soon as they hit it in order for the pressure to make sense to them right in order for it to be clear it has to be gone immediately right the pressure all has to come off right away
training the heel is that the pressure is only there when they're doing the wrong thing you'll
the negative reinforcement starts out at a very low level and then that teaches them they can escape that pressure and then a lot of times it gets moved up to a little bit higher level to create reliability by them wanting to avoid it right
with that on it's horrifying um that's negative reinforcement there's pressure ding ding ding ding ding ding ding until you put your seatbelt on and then it goes away
the most powerful combo to create behaviors is you add pressure and then when they do the thing you wanted them to do the pressure releases and then you add a benefit your reward somehow right so
And it's important that when you're doing it, the pressure releases immediately
How it looks, dog by dog
Bo
Where the mechanic is stated most exactly, because the trainer is narrating what he is installing. E-collar and leash pressure are introduced together on purpose so the dog learns one pressure system, and the word 'come' goes on at the instant Bo is already coming in off the line; the first time the verbal cue lands on its own comes in the same session. For the down, when physical placement stalls, the trainer names low continuous pressure 'the nagging method', and says openly the first rep was made and ugly.
On film
And you can see how quickly it could happen that's the first time that he responded to the verbal cue like he knew it
all right I'm just gonna try the nagging method here
Lola
The nervous dog, taught the loop twice: once to her and once to her family. Day one is not obedience but a 'baseline concept', give to the leash instead of bracing, and Kelton defends the time it takes: a collar tap carries pressure but no direction. Aimed at her bolting, the same loop makes running produce more pressure and coming back produce lots of relief. Her family is also the one warned that a firmer command looks worse before it gets better.
On film
because if i tap an e-collar right if i just tap this right now right that gives no direction
So you've got to teach them that, like, bolting never works out good, right? It goes nowhere. They don't get anything out of it. All they feel is more pressure. But as soon as they come back, there's lots of relief.
Zeus
The loop already working. In the possession games the toy is the currency and the dog is told he can turn the game back on.
On film
No matter how short I cut it. If I cut it right here, he stops.
You see as soon as he finally did it, he got the toy. See, now he learned how to turn it back on.
Roxy
The stages laid out as separate jobs. The sit is produced with a light tug and no word at all, 'the move, not the command', after two forced reps, and the word comes afterwards. At handover the loop is applied to something nobody can command: the same spot in the yard at the same time, the handler standing still and letting her go nowhere, and going to the toilet is what buys a minute of running. The pressure is boredom, the relief is freedom, and the owners are warned the first time may take forty-five minutes.
On film
tugging the leash and then she just sits. I'm not saying sit. I am only teaching her the move.
But Roxy, you go to a particular place in the yard every time that same spot and you just stand there and do nothing
Ace (Chihuahua-terrier mix)
A small terrier mix prepared for an off-leash heel. Each e-collar correction is paired with the leash first, so the collar alone can later carry the message when the line comes off; the trainer reports he has grown used to 'the e-collar communication'.
On film
off-leash heel so I'm gonna start doing paired corrections with the e-collar and
He's gotten much more used to the e-collar communication and knows what to do with it.
Akira
A play-mad dog whose whole early teaching is the loop with a game on the end: a little flat-collar pressure, gone the instant she sits, and the tug game back on. By the next rep she sits before the pressure arrives. The owners are later told it is doubly reinforcing, relief and then fun.
On film
and see now she didn't need any negative reinforcement because she figured it out she figured out that if she just goes ahead and sits she avoids that little pressure on the flat collar
Yeah, so pressure goes away, play comes back,
Anna
A dog who had never had pressure on her. The trainer frames the first experience of it as overwhelming, and learning that it ends when she acts as the coping skill in itself, all on a flat collar with an immediate release to 'a great time'.
On film
because if you've never had pressure on you at all in your life say as a person and you experience pressure for the first time it can feel like all heck is just raining down upon your life
Where the release is immediate from the pressure and she gets to go have a great time, and this is all just on a flat collar
Bane
A protection-trained mastiff who panics into avoidance under the collar. The trainer tells the owner the collar gives no direction and the line does, so in high arousal he goes back on a long line, briefly, until he knows where the relief is.
On film
kind of snap him out of it because the e-collar it doesn't provide direction on where or what to do
Beo
A soft dog taught the down on very light pressure. The trainer lets him struggle, gives the smallest hint, then a clearer one, calls that a real learning rep, and rests him so it can settle. At his first in-program owner lesson Kelton explains the unit to the family with a nagging roommate: you do your laundry to make the nagging stop, and next time you do it before they ask. Pressure can be added with the leash, the e-collar or anything clear to the dog, and the leash is the tool for teaching because the e-collar gives no direction about where to go.
On film
which is which is good right because we wanted to struggle then I tried to give
down but didn't make it all the way down and so then I just made it more clear
is make them to make them more likely to do it again next time you ask them to is negative reinforcement and we do it to each other all day long
next time as you start to see hey i might need to do my laundry soon you just go ahead and do it you're like man i don't want to hear all that mess again
you can add pressure by using the leash you can add pressure with an e-collar you can add pressure in any way that is clear to the dog
the e-collar i felt it lots of times and worn it and been you like taught like a dog and when you feel it it doesn't give any kind of direction about where to go
Boog
The starting point stated as a symptom: a leash on him changes nothing, 'no handling effect'. Leash yielding is built first, with pressure kept to what is needed and no choking. At go-home the heel is taught as relief: pull him into the zone, and the second he is in the window take the pressure off, so he learns 'there's only one spot in the world that there's no pressure and it's next to my leg'.
On film
And he really just doesn't care that I exist, even though I have a leash on him. So there's not really any handling effect either.
and I'm not a muscly guy, so I'm not hurting him, it's just enough to be okay, but we're not doing this.
i'm going to like pull the leash in a way where he comes into the zone use the e-collar and the second he gets into that window take the pressure off
because what i want him to learn is that with heel there's only one spot in the world that there's no pressure and it's next to my leg
Brody
The collar layered onto a pressure he already knows how to turn off, and the next stage named: once he knows the cue, a little more pressure moves him from escaping it to avoiding it, and soon none is needed.
On film
good boy oh he learns that he turns the ecog pressure off the same way he turns off any other
escape to avoidance and put a little bit more pressure on it so that he knows he
Cosmo
Connor pairs the stimulation to the exact instant the leash tightens, and later to a word, until the three are one thing to the dog. Near the end of the program the word alone works: he did not press the button.
On film
every time he yanks on me and he feels the pressure from his collar and literally at that exact moment that the pressure hits he gets a knee collar too
I did not hit the color I just use that word because he's so used to the color being turned on with that word
Dolly
A husky in two private lessons. On place, the pressure comes off on arrival and the game restarts, 'a double dose of reinforcement'. On the loose-leash walk, a prong pop is meant to be a little uncomfortable and easy to avoid, and the trainer reports she learned to escape it and then to avoid it altogether.
On film
rid of the pressure she found uncomfortable and restarted the game so So she got a double dose of reinforcement.
she learned a lot she learned not only how to escape that pressure but also how to avoid it completely right
Drago
The method's own cost. Leash work made him responsive, and then too sensitive: at the go-home Kelton says Drago had become 'a little too suppressed' with some trainers and looked scared, retires the prong and tells the family to use only the pressure needed, because too much makes him shut down.
On film
and um and sometimes with a couple of our other trainers he was a little too suppressed he was like and you're going to see it in some of the videos
him to do it right um as long as it's not like freaking like right not that that doesn't need to happen especially not with drago
Josephine
The owner is told the opposite of constant restraint: a dog who feels the leash all the time stops noticing it, so pressure is made rare and, when it comes, quick, a pop and not a steady pull, and the handler watches for her to give to it.
On film
To sensitize them to leash pressure, the best way to do it is to make it abnormal.
Josi
Place taught as pressure until she is on the cot and none the instant she is, with the reason given: pressure on the cot would make the cot a bad place.
On film
the pressure must turn off immediately as soon as they're on the place got if you put pressure on them while they're on the place got guess what's gonna happen they are going to associate bad things to the place
Kalypso
Highly sensitive and very vocal. A dog who never hits the leash has not learned what it means, so the family is told to make turns that actually pull. The first pressure is the most dramatic, the game makes it bearable, and the protest is to be read, not obeyed.
On film
because she hasn't felt that she doesn't know what that feels like
in in the context of a game everything's a lot less painful or bad
Lucia
A scattered dog on a long line. The proper response to pressure is 'always going to be to give to the pressure', and a second of attention buys back a lot of freedom.
On film
i'm focusing on the let's go command i'm also starting to teach a recall on leash with leash pressure and with the e collar
So I'm teaching her here that if she comes to me and gets her attention on me just for a second, then she gets to enjoy a lot of freedom again.
Madam
A senior trainer coaches a junior handler through a pressure-taught down: small steady pressure until the position, 'let pressure off', straight into play, and the session stopped before the skill is finished.
On film
let pressure off let pressure off
more rep and we'll call it that'll be it for her down for today right because you don't need to get
Murphy
Walked only on a long flexi, he respects a short lead at once, and the trainer gives the reason: they teach leash-pressure sensitivity, so the dogs take only the lead they are given.
On film
they'll take as much lead as you give them but they won't take more because we teach leash pressure sensitivity
Neo
A service-dog prospect whose leash was conditioned to the collar, so that a tiny tug is enough; the handler calls it the sensitization 'in full effect'.
On film
It means that the sensitization is kind of in full effect for him, which is really good.
Nikki
The loop run backwards before she arrived. At evaluation the trainer reads what was reported as aggression as a learned pattern: barking and planting made people stop asking. The plan is to hold the pressure so the reaction stops working.
On film
lead pressure or anything like that at all then she thinks if she barks and kind of plants herself and doesn't want to do it then she doesn't have to do it
Oscar
Leash sensitivity trained so the leash barely needs using: a flexi locked for a fraction of a second is a complete correction, and the collar is not needed for 'let's go'.
On film
just a tiny fraction of a second he felt a little tug right see I didn't lock it
We practiced what's called leash sensitivity.
Ozzy
A nervous dog who flails on the lead. The trainer's rule is to hold steady pressure through the freak-out, whether it is panic or a tactic, because pressure he cannot get out of leaves calming down as the only exit.
On film
to like feel the pressure and be like i can't get out of it so i have to calm down there's no option
him one of two things is happening he's either like doing that freak out thing because he either
Penny
Layering shown across a program: teach with lure and leash, layer the collar after the cue, and the leash end, the tap, the collar and the word come to mean the same thing. At handover the owner is shown how to date the videos: older ones use the leash to fix the heel, newer ones a tap.
On film
you know layering in the e-collar so then she feels the e-collar she recalls
the video is older when i have to use the leash to get her back into the heel
Piglet
A reactive dog. At Bass Lake the trainer shows her that the way out of pressure is to follow the command, and then states the rule he holds himself to: every time he puts pressure on a dog he reconciles afterwards, here with belly rubs, and there must be long stretches with no pressure at all. At the in-home lesson it is taught to the family as two steps after any penalty: freedom, then reconciliation.
On film
it every single time i put any pressure on a dog we reconcile afterwards somehow she's got to get a release to freedom
The first thing that needs to happen is they need to be free again. You got to release them back to freedom
Rocky
The first-day monologue, all on a flat collar: solving the pressure is itself rewarding, the trainer adds freedom on top, the pressure must not stop for whining but must stop for the answer, and the dog must return to baseline before the next rep, or he learns the pressure never ends. 'Do less.'
On film
Overcoming challenge, figuring out puzzles, solving things, how do I get out of this pressure is rewarding.
But if I don't allow him to return to baseline, the pressure never ends. And so then he learns the wrong thing.
Rocky (the Rottweiler)
In a private lesson the collar is explained to the owner as muscle pressure that stops when the dog stops, like a mother dog pinching a puppy's neck every time until he quits.
On film
And then the puppy learns, like, don't do that because mom pinches my neck every time I do it. Right.
Shadow (German Shepherd puppy)
A German Shepherd puppy for whom the one sanctioned collar exception is the leash end itself: stimulation at the exact instant she hits the end of the flat-collar lead, with no marker, so to her 'the end of the leash is electric'. Almost no collar was used in the owner lesson itself.
On film
it automatically, in her brain, she's like, oh, the end of the leash is electric.
two things always happen together then eventually the dog goes these two are a
Sofia
Taught in Spanish and English. Her down was built on leash and collar pressure with the stated aim of reaching the word alone, 'sin presión', and at the first family lesson Kelton drew the line in so many words: she can learn to avoid the pressure completely, and pressure she cannot learn to avoid, because it is unclear, is very wrong. On a later walk he says, in Spanish, that he will need to reinforce all the commands 'negativamente y también positivamente' - by pressure and by reward.
On film
y después de un rato ella puede aprender cómo evitarla completamente, la presión
Porque creo que ella está muy cerca de hacerlo sin presión de cualquier manera.
a necesitar a reenforzar, reenforzar todos los mandos negativamente y también positivamente.
Stormi
Pressure as a blend, not one thing: social, physical, collar, plus visual and auditory aids, mixed in proportions that change rep by rep. Her yelp is diagnosed as an all-leash mix; the fix is a different recipe and small increases, because a nervous dog overwhelmed does not give in, she shuts down. At go-home her trainer gives the heel version: he does not hold pressure to force her into the spot; leash or e-collar pressure comes only when she is out of position, so she learns the no-pressure zone - pressure everywhere would only teach her that a tight leash means misery.
On film
so that first time i uh she did the yelp that was like pretty much all leash pressure nothing else
Because some dogs, they feel a ton of pressure and they're like, all right, fine, I'll give in.
not going to hold the pressure and force her into the spot right i only apply pressure from the leash or from the e-collar when she gets out of position that way she learns that the no pressure zone
whereas if you apply pressure everywhere she won't get like the idea of like i need to be here
Stormy
The thread through three private lessons, on a flat collar, then a prong, then the whole loose-leash curriculum: light pressure held until she gives, released the instant she does. The family is told what the dog learns if they give up first.
On film
that's that's all it is so you're teaching pressure and then release so she feels pressure and instead of pulling into it she gives to it
tension on the leash then that creates pressure but when she comes off the tension the pressure goes away
Thumper
The tune-up about-turn and recall taps released as he turns, plus a coach quizzing the handler on which behavioural lever each action is: taps while he drifts are pressure and release, cheering him in is there to speed him up.
On film
tune-up is basically um when i turn around and there's some pressure on the leash
is it positive reinforcement negative reinforcement right so it's pressure and release
Wrigley
A boarding refresher. The trainer finds her working level, lets her get distracted on purpose, and uses the collar on the recall she blows off, judging it enough to produce escape and maybe avoidance; later she 'remembered what happened last time'.
On film
stronger negative reinforcement on the recall is her main thing
She thought about it again, but she remembered what happened last time.
Kodak
Kelton explains the loop to Kodak's owners as a puzzle: pressure goes on, the dog works out how to get out of it, relief follows, and the pressure must be contingent on things the dog controls. In Kodak's own session, handler pressure and the stress of barking dogs both melt away when he finds the answer and the ball comes out.
On film
how do i get out of this and then we like try to figure it out when we solve the puzzle about how
whether it's like pressure or any kind of like um which we'll go into this next is like penalties
that like is the solution to that puzzle the the pressure from both things completely melts away
King
Teaching King's owner the four quadrants, the trainer uses the down: pull on the leash, and the instant the dog is down all pressure is off, he hears 'Okay' and play follows. Pressure kept on after the down teaches nothing.
On film
pull down on a leash and they go into a down, you
and as soon as they do, all pressure's off and you say, "Okay." And they get up
Sage
A senior trainer shows a junior handler that Sage now goes to place and stays without the leash or e-collar, because both were already done, and that she stays from understanding rather than in a suppressed state.
On film
And then now she's learned to stay up there
because I already did the leash and I did the e-collar.
Luna
Luna tests her handler on a down in a new area; he says he will not let up on the pressure and holds it through her protest, turning the e-collar very low rather than up.
On film
I'm not going to let up on the pressure, baby. Come on.
All right, so we're going to turn the e-collar really low here, and I'm
Dolce
When Dolce will not sit, her handler uses the e-collar and waits until she is fully sat before releasing her. On the heel he tells her that turning away will not get her out of the pressure.
On film
want to do it at that time. So I just say and then just use the e-collar and
like slowly sat. And then I waited till she was like fully sat down and then I
That's not going to get you out of the pressure, Dulce.
Louie
Louie's handler shows his down: pressure into the sit, then a lure the rest of the way, kept light because he does not want to put a lot of pressure on this dog.
On film
if you ever work so the way I do it is the easiest as I go I forced them into a pressured sit like
With him, I don't want to put a ton of pressure on him,
Bullet
Bullet's heel is taught with leash pressure and paid straight after with freedom, play and affection. The trainer says this makes the position clearer than luring, where the dog chases the treat or toy instead of thinking about where he should be.
On film
with the negative reinforcement, with the pressure on the leash, he's being
part going for a while, right? I release him to freedom. We play snappies and
They'll use the toy and the dog's just staring at the toy the whole time,
Bun
Late in a long park walk Bun starts to refuse let's go, and the trainer backs the word he already knows with the e-collar at that moment - pressure for a known command, not for a new one.
On film
you have to use the e-collar there to reinforce the let's go because he just was kind of starting to refuse there
Chunk
At go-home Chunk's trainer teaches the heel by relief and names why owners fail at it: they apply pressure continuously, even when the dog is in the spot, thinking that pulling him into the zone shows him where to go. Instead, pressure goes everywhere he should not be, and the moment he is in the pocket of the heel it leaves - the e-collar or whatever pressure is in use comes off.
On film
they apply pressure continuously even when the dog is in the spot because they think oh if i pull him into the zone he'll know where to go right
but in reality that's not really how it works you create pressure everywhere that you don't want him to be and then when he gets in the right zone pressure leaves immediately
Coco
Coco's trainer holds the pressure until she complies: he pulls down with the e-collar on, and if you are willing to hold that tension and not give in, he says, it is very hard to take it too far. On a later walk he gives the second handler the same rule for pulling on a locked flexi: hit the e-collar and hold it until she stops pulling.
On film
so I think what I do is I just like pull down on the e-collar and if you're willing to hold that tension and not give in then there there really is not a too far, right?
uh when she pulls in the flexi's lock just just hit the e-collar and just hold it till she stops pulling
Kali
When Kali keeps lagging on the restart of the heel, the trainer first encourages her and then, because she will keep repeating it, uses 'a little bit of negative reinforcement' - a couple of collar taps - until she comes up and finds the heel, and the pressure stops there.
On film
let me go ahead and use a little bit of negative reinforcement here so i used a little bit of negative reinforcement there um just like a little tapping collar a couple times and she came up found the heel again
Mazi
On a walk Mazi gives in to a 'teensy weensy' amount of leash pressure, and his trainer states what that shows: the walk should never be a fight, and if you need large amounts of pressure to get your dog to listen, you probably have not conditioned pressure properly - it should be a clear signal to stop what he is doing. He adds the warning that you can accidentally turn pressure into a reinforcement.
On film
i added like a minuscule amount of pressure i'm talking like this teensy weensy little amount of pressure and he gave in
we don't want to have like a the walk should not be a fight right should never be a fight
so if you're having to put on like large amounts of pressure to get your dog to listen then you probably haven't conditioned pressure in the right way for them what we want is pressure to be a clear signal
You can accidentally turn pressure into a reinforcement.
Reaper
At an owner lesson inside a full session, Kelton (Reaper's trainer) explains negative reinforcement as nagging, then applies it: if he does not go down, a little pull on the leash and a tap of the e-collar, and as soon as he is down all the pressure goes away and he gets his freedom or another reward. In the short term it gets the behaviour if it is clear; later the dog does it right away to avoid the nagging.
On film
negative reinforcement works in the short term by if it's clear getting them to go ahead and do it and then later on by them doing it right away because they just want to avoid that negative reinforcement
say i want him to down and he didn't go down i could pull on the leash a little bit and tap the e-collar and then as soon as he goes into the down all the pressure goes away and then i release the freedom and or reward some other way
Apollo (the Sharkie)
For a high-drive dog like Apollo the trainer defends negative reinforcement outright: add pressure and teach through its release as much as you want, as long as it is clear, contingent and under the dog's control. At go-home he shows it on a sit with a little prong pressure, released the moment Apollo sits.
On film
them all day you can add pressure and teach through the release of the presser all that you
want and they want this really bad as long as you make it clear and contingent something under their
using negative reinforcement so if i go apollo sit and i just use a little bit of pressure on
Astro
Astro's family is taught the difference between escape and avoidance with a pinch: you move away from a stranger who pinches you, but you do not go out of your way to avoid him afterwards. On an early walk the trainer sets the lesson he wants Astro to learn - complying with a known sit resolves the pressure - so later teaching is easier.
On film
a second it's the difference between escape and avoidance with negative reinforcement as an
time you see see me right you're you're just like okay that was no right but you escape it but
And so that's the lesson that we're trying to get him to learn, so that he can have an
Bandit
In a September 2026 session Kelton lays the rule out for Bandit's family: pressure is applied while looking for one criterion - a position, the end of a recall, a place beside you - and the instant the dog hits it, all of it has to come off, or the pressure does not make sense to him.
On film
it can be, um, as simple as thinking of it this way. You add pressure and when you're adding that
and a heel whatever it is you're looking for them to hit that place and as soon as they hit it in
order for the pressure to make sense to them right in order for it to be clear it has to be gone
Baxter
In Baxter's private lessons negative reinforcement is defined for the owner as pressure that releases immediately when he does the thing, so the right moment is clear; the down is then shown with leash pressure released on the position, an 'okay' and a thrown ball.
On film
And it's important that when you're doing it, the pressure releases immediately
releases i say okay as soon as he hit down right i said okay and threw the ball so then he learns
ah okay i went into the down all the pressure went away and i got to go right back to the high like
Bernie
At Bernie's go-home lesson the trainer compares luring a sit with pulling up on the collar: Bernie learns he can make the pressure go away by sitting, and then 'okay' lets him run around.
On film
both. You can do this. You can pull up. Bernie, sit. Right? He already knows sit. But if I just
pulled up on the collar, he would know, okay, I can make that go away by sitting. And then I can
Bubba Gum
Bubba Gum's go-home lesson names pressure and release as the second way to create behaviour and the combination - pressure, release, then a benefit - as the most powerful. In a store she gives to leash pressure at once instead of the natural oppositional reflex.
On film
the most powerful combo to create behaviors is you add pressure and then when they do the thing you
She does give to the pressure immediately
instead of doing the natural oppositional reflex.
Callie
Callie's down is taught with the e-collar alone until she has 'learned how to escape it', and her leash work aims at a dog who can be walked on a finger and turns her head to a light tug.
On film
it looks very good much better and she's learned how to escape it so she's able to do the down now
Good. Now we have to work on leash pressure. Good girl. So we want to get to the point where we can walk her like literally on a finger without her putting tension. And we want to get to the point where if I tug on this a little to the left or to the right, she just moves her head kind of like a horse.
Clark Kent
Heeling Clark Kent, the handler lets him feel a little pressure when he goes too far ahead; he reads it and comes back, and the release is to go off and explore.
On film
up to pace with me, but don't go too ahead. He starts feeling a little bit of
the pressure. He knows, oh, okay, I'm going a little too ahead. Let's do another turn.
Daisy
Daisy, a frightened dog, starts with nothing asked except yielding to leash pressure, released to freedom. For her down the handler holds steady pressure rather than pops, because pops would raise her stress, and waits for her to relax into it.
On film
doing is taking a little walk with negative reinforcement and a release to freedom. And
at first I'm going to require absolutely nothing except for yielding to leash pressure. But you
putting pressure and bracing. Normally I would do like a little pop pop pop but
Deuce
Deuce's trainer explains negative reinforcement to the owner by holding the leash tight so the dog cannot move - taking away his freedom until he offers the behaviour - and calls release to freedom one of his favourite ways to teach.
On film
If they don't listen, I'll like hold their leash really tight.
What am I taking away? Sounds evil. I'm taking away their freedom. I don't like
Doing a release of freedom,
Doja
At Doja's drop-off Kelton contrasts treat-after-treat work with what he has moved to: 'I found that I can use just, like, negative reinforcement.' The rest of that explanation, which seems to add a release command on top and to say it gets him better results, is uncertain audio.
On film
And, like, everything's just treat, treat, treat, treat motivated.
I found that I can use just, like, negative reinforcement.
enforcement and then put on top of that a release command so if they have the release marker and
Dutchess
Dutchess's sit is taught by holding her in place until she finds it and letting her go - 'that's the pressure, you got to get out of it' - and in the heel she is let go the instant she matches pace, because she will associate that quickly.
On film
like a whole place and she's like i can't go anywhere and she like goes to sit and i let her
go and she learns like that's the pressure you got to get out of it so that would be negative
See, she's matched my pace, and I let her go immediately.
Finn
In Finn's fear case the trainer frames obedience as pressure that turns into something fun - pressure, pressure, then boom, a release into the thing Finn likes most.
On film
the obedience right where I'm putting pressure there's some pressure pressure
pressure but then boom it turns into something fun and the most fun thing
Fiona
Fiona's owners are told to let her make choices, ask for something, and back off only once she has done what was asked; a 'penalty' for an ignored command is restated as negative reinforcement - a little pressure until the command is followed.
On film
only back off once they've once they've kind of like listened to you and done the thing that you
more properly you'd be negatively reinforcing the command um so putting a little bit of pressure
Hades
Walking Hades in the park, Kelton says the heel works much better taught with negative reinforcement and a release command into freedom than lured with treats.
On film
In fact, I found it works much better
to use negative reinforcement
and then a release command into freedom.
Hattie
Hattie's recall is built on the flexi by escape and then avoidance: she explores, is called, gets a little negative reinforcement only if she does not come, and is released with 'okay' once she has sat. Her down was taught the same way and paid with a ball.
On film
quickly learn to avoid it um after they've learned to escape it so as soon as escape and avoidance
for her to come and then if she comes great if she doesn't come um then i'll use a little bit
We taught her down with just a little bit of negative reinforcement, and her down is getting a lot better.
Irwin
Irwin is shown that as soon as he comes off leash pressure good things happen, while pulling at the end of the line is met with a little negative reinforcement.
On film
to show him that as soon as he comes off the leash pressure, good things happen. Good boy.
Kane
When Kane braces against the leash - a strategy that has probably always worked for a dog his size - the trainer holds the pressure as an opportunity to make sure bracing no longer gets him out of it.
On film
right? Where he tried a strategy that's probably always worked, which is he braced, right? He
and he's gonna he's gonna not do it right if he doesn't want to so that was an opportunity for me
Louie
Louie, a fixating dog, is walked on light pressure training: when he feels a little pressure on the collar he turns with the handler and walks the other way.
On film
amazing with that when he feels a little pressure on the collar he turns right with me and walks the
Lucy
At Lucy's evaluation the evaluator says the pressure can be anything - e-collar, spatial, social - as long as it stops when the dog does the thing; the release is what teaches, which punishment alone cannot do.
On film
It could be e-call or spatial pressure, social pressure.
As long as it stops when they do the thing
the pressure releases and so then it reinforces so you can teach with that you don't
Lunna
For a down Lunna knows but dislikes, the trainer shows her family continuous taps that stop only when she downs, so she learns there is no other option once the word is said - and adds that in ordinary life you don't do that.
On film
uh it's where you continually add pressure so i just tap tap tap tap tap tap tap um obviously
love it so she's gonna kind of stand there for her i need the pressure to just remain continuous
Major
Major's come is taught on the leash first; phase two pairs a low e-collar tap with the pull until he associates the low stimulation with coming, and only then is it proofed.
On film
he'll graduate to phase two which is the e-collar so i'll put the e-collar on and i'll tap at a low
stem and pull at the same time and then i will um continue to do that until he he only knows
Marvin (Giant Schnauzer)
At Marvin's go-home lesson Kelton puts the method in one sentence - it is pressure and release - and says treats work the same way: wanting the treat is the pressure, getting it is the release.
On film
that. Um, but yeah, it's all just, if I, if I could simplify dog training, it, you could say
it in like one sentence. Yeah. It's a pressure and release. Yeah. That's it. It doesn't matter
what it is. That's the same thing for treats. Okay. There's a pressure they want to treat
Max
At Max's evaluation the trainer explains continuous taps for the down that stop the moment he goes down, so Max understands the feeling will not go away until he performs the action.
On film
Then I go, uh-uh, uh-uh, down, and I tap, and I keep tapping until he goes to a down.
So that he understands that that feeling won't go away.
Until I perform that action.
Max (Goldendoodle)
At Max's go-home lesson negative reinforcement is explained with the seatbelt chime: it dings until you buckle up, so you buckle up every time. On a park walk Max watches the end of the leash, and when he feels it he comes right off it.
On film
with that on it's horrifying um that's negative reinforcement there's pressure ding ding ding
And he's being very careful to watch the end of the leash.
And when he feels it, he comes right off of it.
Milo
With Milo and Josi the trainer explains why pressure starts low and moves up: a low level teaches the dog he can escape it, a higher one creates reliability because he wants to avoid it - like a five-dollar speeding ticket against a thousand-dollar one. Earlier he defines the release: if they do the command, the pressure is gone.
On film
the negative reinforcement starts out at a very low level and then that teaches them they can
escape that pressure and then a lot of times it gets moved up to a little bit higher level
to create reliability by them wanting to avoid it right because if i gave you a five dollar ticket
because if they do pressures gone right because that's the two ways you can reinforce you can
Peque (PK)
Peque's follow-up lesson calls negative reinforcement pressure and release, explained with the seatbelt chime; her heel is taught on a short leash that is loose while she is in position and tight the moment she leaves it.
On film
reinforcement um so the easiest way to think about negative reinforcement is pressure and release
and she's standing it's loose but as soon as like my arm moves at all there's pressure
Phoebe
In a trainer-school play session with Phoebe the long line goes tight and then slack as she comes all the way in; the trainer names it as negative reinforcement alongside play as the fastest way for a dog to learn.
On film
Yeah, there was pressure, and then it went away, and she got all the way to me.
The fastest way to learn for a dog, typically, is positive reinforcement and negative reinforcement.
Roman
At Roman's evaluation the trainer describes the down: uncomfortable pressure, then you show the dog how to get rid of it, and the instant he is in position comes 'okay', the toy and freedom.
On film
so it's like this uncomfortable pressure and they're like how the heck and then you're just
and then you show them how to get rid of it and as soon as they hit that position
close to the one he's in now where they're in a down then you go okay and that's their release
Shadow (Siberian Husky)
Shadow, a puller, is sensitised to flat-collar pressure so that whatever the length of line, he stops and looks at the handler the moment he feels it go tight.
On film
the little eye right there so the other thing we worry on is sensitizing him to
leash pressure so whenever he feels the flat collar get tight you'll notice he'll
is once he feels it hit pressure he'll stop like that right there okay i held on pressure and he
Sputnik
At Sputnik's go-home lesson the trainer calls pressure and release the foundation of all dog training, treats included: leash pressure goes, then the dog gets to sniff; once the e-collar is taught, it works the same way.
On film
think the foundation of all dog training is pressure and then release and that's the same
pressure if you put pressure on the leash and then they comply and then the pressure is gone
Stormie
On a visit home, Stormie's trainer describes how her disliked down was built: pressure, then release to freedom, not backing off the pressure until she does it. On a loose-leash walk he puts the deal to her: listen and it is brief and you are fine; fight and the collar makes it uncomfortable, not painful.
On film
you can train it the way I've been doing it with her is pressure and then release
the freedom which is basically where you don't back off of the pressure until the
see so what we're teaching her is just like if you listen it's very brief and you're fine whereas
Teddy
Teddy's evaluation argues for thin slip leads because the dog can feel the pressure come on and go off, and his day-four milestone is defined by its absence: a fully verbal down with no e-collar or prong.
On film
where with the thinner ones when you're walking and he's like you can add a little pressure
So that's his first completely verbal down, and there was no pressure used.
I didn't use the e-collar or the prong collar.
Thor
Thor learns to come right off the end of the leash and is told he can walk wherever he wants as long as he does not pull; once the commands are known, the trainer says, the work moves from escape to avoidance.
On film
good boy come on let's go good job buddy go go you can walk wherever you want as long as you
don't pull on the leash that's much better see he's coming right off the leash pressure now
It's more about avoidance now instead of escape.
Titan
Titan's handler is taught to guide him with the leash until he settles, then release all tension on 'okay', so the word is learned with the relief.
On film
you guide them until they just settle down and you release them okay and okay
So like, when you say okay, you release all tension
Whiskey
Whiskey learns that whining does not get the walk moving; moving forward, the relief she wants, comes only when she stays calm. Her trainer plans walks of 'negative reinforcement and release of freedom' as the next step.
On film
and that that does not result in us just moving forward and doing things,
but if she stays calm, then we can move on.
Next session I'll probably do just like a walk with negative reinforcement and release
Wiley
Wiley's down was taught on pressure alone until he went down smoothly without it, and only then named; now the word alone sends him down, even from a distance.
On film
Like that until he went into a down and then as soon as he did that smoothly without me having to like really pressure it
Then I just started naming it down and then from there
Zeus (March 2026)
At the March Zeus's first in-program lesson Connor names the heel's whole mechanic: pressure only while the dog is doing the wrong thing, let go the second he is in position. Owners who pull the whole time leave the dog nothing to learn.
On film
training the heel is that the pressure is only there when they're doing the wrong thing you'll
and so the dog doesn't understand what they're doing that's causing a pressure and they don't
the second he gets in it i let go of the pressure it's like right now he's not following me so now
Why it works
As the trainers explain it, the dog is solving a puzzle and the answer is whatever made the pressure stop (watch 21:09; Rocky watch 27:08). Timing therefore carries everything: pressure kept on after the down reinforces nothing (watch 21:04), and the word is attached at the instant of relief so it names the way out rather than the pressure (Bo watch 05:34; Roxy watch 04:44). The level follows the same logic: a low level teaches the dog he can escape the pressure, and once he knows the behaviour it is raised so he wants to avoid it, like a five-dollar speeding ticket against a thousand-dollar one (Milo and Josi watch 22:17). The leash supplies direction, which the collar cannot (Lola watch 76:49; Bane watch 13:10), so the collar is paired with the leash end until they are one pressure, and then the lighter channel carries it (Bo, Cosmo, Neo, Penny, Shadow, Ace). The relief must lead to something the dog wants, which is why every rep ends in freedom, play or reconciliation (Zeus watch 06:40; Piglet watch 35:12). The pressure must be contingent on something the dog controls, or it traumatises (watch 22:28; Sofia 21:40). Two further claims are stated for particular dogs: pressure the dog cannot escape leaves calming down as the only exit (Ozzy watch 07:23), and a game softens pressure (Kalypso watch 11:06). Inferred, not stated: why relief should produce a dog who understands rather than one who merely avoids. The trainers keep drawing that line (Sage's 'suppression zone', Drago), but nobody explains the difference in mechanism. Nor is any dose given; 'a little' is never quantified.
Where the trainers differ
How sensitive should the dog be made to the leash?
One view
Very: sensitise deliberately so a tiny tug is enough and the dog takes only the lead given.
On film
they'll take as much lead as you give them but they won't take more because we teach leash pressure sensitivity
It means that the sensitization is kind of in full effect for him, which is really good.
i added like a minuscule amount of pressure i'm talking like this teensy weensy little amount of pressure and he gave in
Another view
Sensitivity can overshoot: Drago became so responsive to pressure that he looked scared, and his pressure was turned down.
On film
and um and sometimes with a couple of our other trainers he was a little too suppressed he was like and you're going to see it in some of the videos
How to read it
Nobody on film states where the line is or how to spot it before it is crossed.
Ask, or make? The principle bent on camera
One view
The dog solves it and the pressure comes off; the rep is not forced.
On film
which is which is good right because we wanted to struggle then I tried to give
Another view
For a first rep the dog cannot yet produce, the trainer makes him do it once, and calls it ugly.
On film
See, he's kind of resisting it right now. hey bud I'm gonna kind of make him do it once
was that pretty no no it was not it was ugly Ugly, ugly, that's okay. First rep, just a little bit of physical manipulation.
How to read it
One trainer bending his own rule on purpose and saying so. See ask-dont-make.
Common owner mistakes
- Keeping the pressure on after the dog has complied, so the rep teaches nothing.
On film
pull down on a leash and they go into a down, you stop pulling on the leash.
King · Watch at 21:04 ↗ they apply pressure continuously even when the dog is in the spot because they think oh if i pull him into the zone he'll know where to go right
Watch at 20:26 ↗ - Giving up when the dog fights, so fighting becomes the way out.
On film
is how she gets out of it okay okay because what dogs learn sometimes is if they fight it enough you'll give up
Stormy · Watch at 24:20 ↗ lead pressure or anything like that at all then she thinks if she barks and kind of plants herself
Nikki · Watch at 2:22 ↗ - Constant tension on the lead, which the dog stops noticing.
On film
To sensitize them to leash pressure, the best way to do it is to make it abnormal.
Josephine · Watch at 11:32 ↗ - Nothing good on the far side of the release, or pressure back to back with no free time.
On film
Of course, they're like a release of freedom, so there's always positive reinforcement on the back end.
Zeus · Watch at 6:40 ↗ the pressure right like it's back to back to back to back to back pressure no no no
Piglet · Watch at 36:06 ↗ - Reading a dog who never pulls as a dog who understands the leash.
On film
because she hasn't felt that she doesn't know what that feels like
Kalypso · Watch at 1:14 ↗ - Concluding the training is hurting the dog at the moment a harder rep is about to pay off.
On film
it will make the command, it will look like they're depressed, like they did worse with it.
Lola · Watch at 23:39 ↗ - Holding the dog in heel with a tight leash. Pressure belongs everywhere except the heel position, and leaves the moment he is in it.
On film
they apply pressure continuously even when the dog is in the spot because they think oh if i pull him into the zone he'll know where to go right
Watch at 20:26 ↗ whereas if you apply pressure everywhere she won't get like the idea of like i need to be here
Watch at 42:44 ↗
Questions owners ask
My dog only listens when the leash is tight. How do I get him to listen to the word?
Put the word where the relief is. With Bo, the trainer lets him reach the end of the line, reels him in, and says the word at the instant he is already coming in, and in the same session the verbal cue lands on its own for the first time. With Roxy the movement is taught first with a light tug and no word at all, and the word is added after a break. Later the leash itself is made lighter and lighter until a tug, or the word, is enough.
On film
and then I'm gonna reel him in and as soon as he's coming in off the leash pressure
tugging the leash and then she just sits. I'm not saying sit.
Isn't this just making the dog work to avoid something unpleasant?
The trainers call it negative reinforcement without euphemism, but every rep they describe has a second half: the pressure comes off and something the dog wants arrives, whether that is play, freedom or belly rubs. One trainer says he reconciles after every single pressure and leaves long stretches with none. And they draw a hard line at pressure the dog cannot control: without a clear way out, it is trauma or abuse, not teaching. The explanation owners are given is the seatbelt chime: it dings until you buckle up, then stops, so you buckle up every time (Max, Peque).
On film
Yeah, so pressure goes away, play comes back,
it every single time i put any pressure on a dog we reconcile afterwards somehow she's got to get a release to freedom
whether it's like pressure or any kind of like um which we'll go into this next is like penalties yeah they have to be contingent on things we control
with that on it's horrifying um that's negative reinforcement there's pressure ding ding ding
reinforcement um so the easiest way to think about negative reinforcement is pressure and release
How much pressure is the right amount?
The film never gives a unit. What it gives is a way to read it: the least that works (a fraction-of-a-second tug for Oscar), raised in small steps rather than jumps (Stormi), and turned down when the dog starts to look suppressed or scared (Drago). If the dog yelps or shuts down, the trainers change the kind of pressure, not just the amount. For a frightened dog the kind matters as much as the amount: Daisy's handler holds steady pressure for the down rather than pops, because pops would raise her stress.
On film
just a tiny fraction of a second he felt a little tug right see I didn't lock it
so that first time i uh she did the yelp that was like pretty much all leash pressure nothing else
putting pressure and bracing. Normally I would do like a little pop pop pop but
My dog barks, plants or thrashes when I apply pressure. Do I stop?
On film the answer is usually no: stopping teaches the dog that the reaction works (Nikki, Stormy), and with Ozzy the trainer holds steady pressure through the freak-out until he settles. Kelton settled this on 23 Sep 2026: it depends on the dog - what the reason is, and whether the dog is ever not in a panic state. The counterweight is Stormi and Drago, nervous dogs for whom too much pressure means shutting down, so the trainer changes the mix or lowers the ask. Which one your dog needs is a trainer's call made in the moment.
On film
to like feel the pressure and be like i can't get out of it so i have to calm down there's no option
Because some dogs, they feel a ton of pressure and they're like, all right, fine, I'll give in.
My dog got worse after we started being firmer. Did we break something?
A trainer warns Lola's family that exactly this happens: when pressure is added to a known command the dog can look depressed, panic a little and try other things, because there is more pressure inside the puzzle. He treats it as a stage, not damage.
On film
it will make the command, it will look like they're depressed, like they did worse with it.
The lesson
The goal
Run one complete repetition (pressure on, dog solves it, pressure off at the instant he does, then pay) and attach the cue word at the moment of relief rather than the moment of pressure.
Learn first
See it done
- Bo: The word attached at the instant the dog comes in off the line. Watch at 5:34 ↗
- Roxy: The movement taught with no word at all. Watch at 4:44 ↗
- Akira: Escape turning into avoidance inside one play session. Watch at 8:17 ↗
The drill
As run on Bo at the park: dog on a long line, most of the session his own time. Let him reach the end of the line, reel him in, and say the word at the instant he is moving toward you. Pay the arrival with what this dog wants, then release with 'okay' straight back into the environment. Keep repetitions few. As run on Roxy, split it: first produce the position with a light tug and say nothing; after a break, add the word.
Watch out for
- Holding the pressure past the compliance.
- Saying the word while pulling.
- Giving up when the dog fights.
- Nothing the dog wants after the release.
- Pressure back to back with no free time.
Check yourself
In your last repetition, what changed for the dog at the exact instant he got it right, and what did he get afterwards?
