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Reading the dog and the handler · Social pressure

Why does my dog react to how I stand?

Where you stand, how close you step and how you sound are pressure to a dog, as real as a leash or a collar: the trainers use it on purpose to back up a command, and take it away when it is what is making the dog break.

The answer

On film the trainers treat a person's body and voice as one of the three kinds of pressure, alongside the leash and the e-collar. Marvin's trainer tells the owners that everything is pressure and release, and that pressure can come from a collar, a leash, "or with social pressure because Marvin's really sensitive to it." Bubba Gum's trainer says a penalty a dog understands is "normally a combination of something social and something physical." Hattie's trainer, at a follow-up after her adoption, says the same of a correction word: it only has power while it is paired with something "real to them and for them real is social and physical", and he shows the family the social kind on themselves - stepping too close, raising his voice in the house.

Used on purpose, it looks like this. Christian, with Max ignoring a down: "you ignored me, so I'm going to add social pressure." He steps in front and asks firmly, and on a later rep that alone is enough: "i didn't push the button or anything i just got in his face." Levi's trainer gives the owner the same move as a bridge until a working collar arrives: step into him while asking for the sit. Bo's trainer gets a whole exercise with no leash and no collar, "all social pressure, which Bo responds really well to." Marvin's trainer explains it through a close talker: someone who stands too close makes you want to step back, and a dog feels the same.

The voice counts too, and so does who is using it. Kelton tells Murphy's family to let the tone slide from firm into disappointed after a correction, "because you guys have a good relationship", using the relationship itself as pressure. Bubba Gum's trainer says the owner's annoyance will matter more to her than his. Two trainers make the point about length: one sentence of being told off is not the same as being yelled at for two or three minutes (Roxy's lesson, Zeus's lesson).

Some dogs are highly sensitive to it: Marvin, Neo, Bo. With Neo, one down came only once his handler added a little more social pressure. Louie's trainer counts being able to handle more social pressure as a sign his nerves have come down. Stormi, a soft dog in her last days before go-home, goes into a down on a 'nope' and "presence over top her body" alone. It does not land on every dog every time: with Nikki, a handler reports that social pressure at the kennel door did not seem to faze her.

It also works in the other direction. Lola kept coming off her cot. The adult in charge did not correct her. He moved the child standing too close: "She keeps avoiding you. That's why she's trying to get off." Roxy and Ramsey's trainer noticed that when the two dogs stand right next to each other, both balk at commands they otherwise know. Ramsey looks at him as if to say he has no room; a couple of steps later he goes down. The trainer says he does not know what that is. The record keeps it as an observation, not an explanation. Strangers exert it too. Whiskey's trainer tells her family that a long stare and a slow approach are what dogs do to each other "if they're trying to like be intimidating", so he asks starers to stop, and a single warning bark at someone who keeps staring gets a 'let's go', not a correction: "that's really your fault".

Across the wider record it is the most ordinary tool in the program. Trainers show it to owner after owner by standing too close to them (Baxter, Bernie, Bun, Max the Goldendoodle, Rocky, Akira, Bandit). They name it as the collar-free answer to a broken place or sit: Kalypso, Thor, Penny and Max the Goldendoodle were put back on the cot with no e-collar, and Kalypso's trainer called it "completely sufficient in this case". Apollo's trainer splits it in two: spatial pressure is just getting into the dog's area, while social pressure is "using your relationship". That is why Sputnik's household is told it lands harder from the owner closest to the dog. A two-finger boop on the nose is taught as a way to amplify it, "not designed" to hurt (Rocky, Bernie, Thor). It has limits on film: Cosmo resists it, Finn's trainer would normally switch to a reward when it takes real pushing, Titan needs a strong tone, and Lunna's trainer warns that a clever dog learns social pressure alone "has no consequence". With frightened dogs the dose is turned down, not up. Daisy gets only a little before release to freedom, the people around Ozzy stop staring at him, and one moment of eye contact unsettles Lucy.

What is inferred: that a dog's breaking a stationary command near a person or another dog is pressure rather than disobedience is the trainers' reading in two cases, not a tested rule.

Angier K9 is a family-owned, play-based Board & Train serving Angier, Raleigh and the Triangle, with three full owner lessons.

What to do

Use yourself before you use equipment: when your dog ignores a command he knows, step in front of him and ask firmly (Christian, Max), and let your tone show you are disappointed after a correction (Kelton, Murphy) - one sentence, not a lecture. But if your dog keeps breaking a stay near a person, move the person first; he may be avoiding them (Lola). Give commands in a normal voice so he learns to answer it.

What the trainers say

So everything is kind of like pressure and release, even positive reinforcement training, pressure and release.

Kelton - Marvin's lead trainer (not named on film) · Marvin (Giant Schnauzer) · Watch at 11:57 ↗

So you could be adding more pressure with an e-collar or with a leash or with social pressure because Marvin's really sensitive to it.

Kelton - Marvin's lead trainer (not named on film) · Marvin (Giant Schnauzer) · Watch at 12:09 ↗

condition punisher word which is nope right so i'll say nope but i'll also exert a lot of spatial

Kelton - Marvin's lead trainer (not named on film) · Marvin (Giant Schnauzer) · Watch at 7:30 ↗

going to be a normally a combination of something social and something physical

Bubba Gum's trainer (not named on film) · Bubba Gum · Watch at 40:04 ↗

But if you're annoyed with bubblegum, that's going to make a bigger impact on her because of the relationship.

Bubba Gum's trainer (not named on film) · Bubba Gum · Watch at 40:26 ↗

I go, you ignored me, so I'm going to add social pressure.

Christian · Max · Watch at 3:27 ↗

like i didn't push the button or anything i just got in his face and he was like yeah you better do it right and he was like okay

Christian · Max · Watch at 7:01 ↗

slowly into disappointed mode because you guys have a good relationship right

Kelton · Murphy · Watch at 1:04:50 ↗

is kind of it's it's a technique it's where you use social pressure to try to

Connor - Levi's follow-up trainer (not named on film) · Levi · Watch at 22:07 ↗

I did not use any kind of physical negative reinforcement. That was all social pressure, which Bo responds really well to.

Bo's trainer (not named on film) · Bo · Watch at 10:15 ↗

they are physical but they are also social. Um so as an example um say I got

Kelton - Roxy's trainer (not named on film) · Roxy · Watch at 2:58 ↗

yell at me um and normally they don't last that long right but if somebody yelled at me for like

Kelton - Zeus's trainer (not named on film) · Zeus · Watch at 42:44 ↗

He's also very sensitive to social pressure.

Neo's handler (not named on film) · Neo · Watch at 7:42 ↗

give her a little space, okay? She keeps avoiding you. That's why she's trying to get off, right?

the adult leading the session (not named on film) · Lola · Watch at 8:47 ↗

no it's like if they're right next to each other like ramsey i'll I'll be like, I'll give him a down and he'll look at me and be like, doc, I don't have room right now. I can't do it now. And I'm like, that ended up like he moves a couple of steps and I'll tell him again and he goes into it.

Kelton - Roxy and Ramsey's trainer (not named on film) · Roxy · Watch at 41:22 ↗

it only has power insofar as it is paired with a punishment of some kind that is just real to them and for them real is social and physical

Hattie's trainer at the post-adoption follow-up (not named on film) · Hattie · Watch at 37:08 ↗

like i mean i can make things really socially awkward right now like super easily lots of different ways right um like just by like getting too close to you

Hattie's trainer at the post-adoption follow-up (not named on film) · Hattie · Watch at 37:21 ↗

stormy down nope i'm just social pressure so i'm just like kind of exerting a lot of like presence over top her body right there

Stormi's trainer (not named on film) · Stormi · Watch at 11:11 ↗

i think of it like essentially three three like three ways you can blend right so you have social pressure you have physical pressure

Stormi's trainer (not named on film) · Stormi · Watch at 9:46 ↗

social correction, I said, nope, nope, you know, and I got really close to her, and I said, that's not right

Nikki's handler (not named on film) · Nikki · Watch at 1:05 ↗

is that's something that you really should not make eye contact for a long period of time with like approach all slow and awkward towards like any dog because it can trigger a reactivity situation no matter what the dog is

Whiskey's trainer (not named on film) · Whiskey · Watch at 0:59 ↗

and that's what dogs will do to each other right if they're trying to like be intimidating yeah right they'll stare at each other and they'll walk up and they'll get really weird and still

Whiskey's trainer (not named on film) · Whiskey · Watch at 9:51 ↗

I'll just do a let's go command instead, instead of a correction, because I'm like, that's really your fault, right, you're not doing anything wrong, this is a normal dog behavior,

Whiskey's trainer (not named on film) · Whiskey · Watch at 10:28 ↗

legit you're just using your relationship as a way to negatively

Apollo's trainer (not named on film) · Apollo (the Sharkie) · Watch at 26:59 ↗

pressure right it can be like spatial it can be vocal it can be the tone of your voice all that

Bandit · Watch at 16:34 ↗

was all social pressure so I didn't use the e-collar I didn't do anything I just

Kalypso's trainer (not named on film) · Kalypso · Watch at 10:21 ↗

the e-collar obviously you can use that um for him the most potent one's actually social pressure

Rocky's trainer (not named on film) · Rocky · Watch at 22:58 ↗

him um or even to cause any kind of physical discomfort it's actually just amplification

Rocky's trainer (not named on film) · Rocky · Watch at 16:38 ↗

pressure the problem with belgians is they're smart enough to know that social pressure has

Lunna's trainer (not named on film) · Lunna · Watch at 11:17 ↗

powerful if it comes from you guys probably especially you um whichever one of you has like

The trainer at the household's private lesson (not named on film) · Sputnik · Watch at 11:47 ↗

the social pressure to work then i tend to go for something else the problem with him

Finn's trainer (not named on film) · Finn · Watch at 10:10 ↗

Um, I didn't go over social pressure a ton with you, but with him, you want to use a little extra

Titan's go-home trainer (not named on this recording · Titan · Watch at 4:36 ↗

knows with that social pressure just give in as opposed to panicking which I can show off in a minute here

Ozzy's trainer (not named on this recording) · Ozzy · Watch at 2:29 ↗

How it looks, dog by dog

Max

At the family park session Christian shows the owners what he does when Max ignores a cue he knows. He steps in front, asks firmly, and adds social pressure. If that is not enough, he says 'uh-uh', repeats the command and taps until the position comes, stopping the moment it does. On a later rep the social pressure alone does it: no button, he just got in Max's face and Max went down.

On film

so I kind of get in front max down okay and I'm firm about okay

Watch at 3:18 ↗

I go, you ignored me, so I'm going to add social pressure.

Watch at 3:27 ↗

like i didn't push the button or anything i just got in his face and he was like yeah you better do it right and he was like okay

Watch at 7:01 ↗

Marvin (Giant Schnauzer)

Marvin's core problem at go-home is resisting leash pressure. His trainer puts social pressure in the same frame as leash and collar: everything is pressure and release, and Marvin is really sensitive to the social kind. For a refusal the owners get 'nope' plus a lot of spatial and social pressure. He explains it with the close talker: someone standing right in your space makes you want to move away. The same sensitivity is why Marvin sometimes freezes on a recall. There the trainer gives encouragement instead, because Marvin needs reassurance, not pressure.

On film

So you could be adding more pressure with an e-collar or with a leash or with social pressure because Marvin's really sensitive to it.

Watch at 12:09 ↗

weird like but that's like yeah like gross you know um but that's like a spatial slash social

Watch at 8:10 ↗

and so then instead I'm just gonna verbally encourage Marvin come on come right over here right instead of putting pressure because he doesn't need pressure there he needs reassurance

Watch at 10:04 ↗

Murphy

At Murphy's go-home, Kelton gives the family a correction with two parts. The physical part comes first. Then the tone slides from 'do not do that' into disappointment, which he calls 'booping'. It works because the family has a good relationship with Murphy: the relationship itself is the pressure.

On film

slowly into disappointed mode because you guys have a good relationship right

Watch at 1:04:50 ↗

And then I call it booping.

Watch at 1:05:08 ↗

Bubba Gum

At handover the trainer tells Bubba Gum's owner that a penalty a dog understands usually combines something social with something physical, and that the owner's version will work better than his. He can be annoyed with her and she cares a little. If the owner is annoyed, it lands harder because of their relationship.

On film

And for you, your social penalty is going to be more effective with bubblegum than mine, right?

Watch at 40:13 ↗

But if you're annoyed with bubblegum, that's going to make a bigger impact on her because of the relationship.

Watch at 40:26 ↗

Levi

At the follow-up after Levi went home, the owner's e-collar turns out to be far too loose to feel. While that is sorted, the trainer gives the owner a technique that needs no equipment: step into Levi as you ask for the sit, using social pressure to push him into it.

On film

another thing you can do too is you can kind of like step into it and like this

Watch at 22:03 ↗

is kind of it's it's a technique it's where you use social pressure to try to

Watch at 22:07 ↗

Bo

Bo's trainer gets an exercise done with no leash and no collar: the marker and his presence were the whole of the negative reinforcement, which Bo responds really well to. At the owner lesson he is told to add a little spatial pressure when Bo will not settle, because it works with him.

On film

I did not use any kind of physical negative reinforcement. That was all social pressure, which Bo responds really well to.

Watch at 10:15 ↗

enough, right?" And use a little spatial pressure because it's effective with

Watch at 51:17 ↗

Neo

Neo's handler calls him very sensitive to social pressure and uses it when he breaks commands on impulse in a crowd. In the session where the handler set out to get the down without food, one down came only after adding a little more social pressure.

On film

He's also very sensitive to social pressure.

Watch at 7:42 ↗

just had to social pressure into it a little more

Watch at 6:02 ↗

Nikki

On her first place work the trainer adds a little social pressure by stepping in, to see whether she falls back on her growl-and-plant pattern. She handles it. Eleven days later (filmed 28 Sep) a handler records a growl when she was being put back in her kennel and corrects it socially, with no e-collar on: 'nope, nope', stepping really close and telling her that's not right. Recapping in the second part, a handler says the social pressure did not seem to faze her that time, though she went in and did not try to run out. On this dog, at that moment, social pressure alone is reported as not landing.

On film

adding a little bit of pressure a little bit of like social pressure with that and stepping in

Watch at 6:08 ↗

social correction, I said, nope, nope, you know, and I got really close to her, and I said, that's not right

Watch at 1:05 ↗

face at all she didn't care um but she went she went in

Watch at 0:51 ↗

Roxy

Two things, at the owners' home. At the second owner lesson the trainer explains that a penalty can be physical or social, and that a social one grows with duration: one sentence of being told off is very different from being yelled at for two or three minutes. He also says he now gives commands much more quietly, after Christian pointed out that his loud training left clients unable to get the same response. Earlier, he had noticed that Roxy and Ramsey both balk at commands when standing right next to each other. Ramsey acts as if he has no room; a couple of steps later he goes down. He does not know why.

On film

and saying that one sentence and then that's it. Versus, have you ever had

Watch at 3:19 ↗

like messed people up. So, I do now train with a much low like I train with

Watch at 4:06 ↗

i did notice that like both of them have this thing where if they're like right near each other they have like a weird thing about like doing the command like if they're out of space or something i don't know what that is

Watch at 41:12 ↗

down I think he was just trying to figure well i think too like roxy was in front of him so i was i think he might

Watch at 5:43 ↗

Lola

Lola, shy and nervous, keeps coming off her place cot while Archie holds his. The adult in charge does not correct her. He moves the child standing too close, twice, and on the second time says why: she keeps avoiding you, and that is why she is trying to get off.

On film

give her a little space, okay? She keeps avoiding you. That's why she's trying to get off, right?

Watch at 8:47 ↗

Zeus

At Zeus's second in-program lesson the trainer makes the same point about duration as Roxy's trainer. Most people have been yelled at, and it normally does not last long. Several minutes of it is far more pressure, even if the volume never changes.

On film

yell at me um and normally they don't last that long right but if somebody yelled at me for like

Watch at 42:44 ↗

Bullet

Bullet's trainer sets up place by sitting with him and using a little social pressure as the teacher. Bullet hangs his head off the cot to sniff, and the trainer says he will not get mad at that.

On film

we're gonna do that by using the place cut and I'm just gonna chill here with him and use a little bit of social pressure

Watch at 0:35 ↗

Good, he hangs his head off and sniffs, I'm not gonna get mad at him for that.

Watch at 1:55 ↗

Louie

For Louie, a nervous dog, social pressure is a measure of progress rather than a tool. His trainer reports that his nerves have come down a lot and he can now interact better and handle more social pressure.

On film

some of the obedience with the distractions his nervousness has definitely gone down a lot

Watch at 0:59 ↗

Dolly

Dolly is nervous of strangers. Her trainer builds play that avoids direct pressure: a toy on a line that moves away like prey, so she can bite without confronting him. He names the triangle game, for bringing a person the dog is unsure of into a game she already plays with someone she trusts. He explains it but does not use it on film.

On film

it's called the triangle game I play with the dog so she already knows me she

Watch at 13:50 ↗

because you got to think like what do they want out of the play if the dog's too nervous to play

Watch at 5:41 ↗

Hattie

Two ends of one dog. Her earlier record describes a dog for whom a soft no did most of the work: at a spring fair Kelton says that what works with her is mostly just a soft no. At a follow-up visit after her adoption, prompted by trouble with the family's cat, her trainer explains why the family's verbal interrupter works on small things and not on big ones: a word has power only while it is paired with a consequence that is real to the dog, and for a dog 'real is social and physical'. He illustrates the social kind on the owner herself - getting too close, putting his face right in hers, raising his voice in the house - and says social pressure can go from low to high very fast, 'same thing with the dog'. The physical kind, for this family, is the e-collar. Here social pressure is one of the two things that charge a word, not a technique used live on the dog.

On film

that works great not even that hard honestly I don't just mostly just like a soft no

Watch at 32:05 ↗

it only has power insofar as it is paired with a punishment of some kind that is just real to them and for them real is social and physical

Watch at 37:08 ↗

like i mean i can make things really socially awkward right now like super easily lots of different ways right um like just by like getting too close to you

Watch at 37:21 ↗

could bring social pressure from where it is down here to like up here really fast and so same thing with the dog right

Watch at 37:55 ↗

Stormi

Stormi's trainer describes pressure as a blend - social, physical and collar pressure mixed in proportions he adjusts rep by rep. In her last days before go-home he shows the social ingredient on its own: 'Stormy down', a 'nope', and then nothing but presence over the top of her body. She goes down and is praised.

On film

i think of it like essentially three three like three ways you can blend right so you have social pressure you have physical pressure

Watch at 9:46 ↗

stormy down nope i'm just social pressure so i'm just like kind of exerting a lot of like presence over top her body right there

Watch at 11:11 ↗

Whiskey

The other side of social pressure: what strangers do to a dog. In a store session her trainer tells viewers not to hold eye contact with any dog for long or approach slow and awkward, because it can trigger reactivity whatever the dog. At the first in-program owner lesson he tells the family that a long stare reads to a dog as predatory or intimidating - what dogs do to each other - and that a mature dog will probably always be uncomfortable with a stare of more than about 30 seconds. So he advocates for her ('she's nervous don't stare at us'), walks her away if the person keeps on, and does not correct a single warning bark at a starer: a light tug and 'let's go' instead, because 'that's really your fault'.

On film

is that's something that you really should not make eye contact for a long period of time with like approach all slow and awkward towards like any dog because it can trigger a reactivity situation no matter what the dog is

Watch at 0:59 ↗

I was like hey like she's nervous don't stare at us

Watch at 2:02 ↗

but an older dog already mature has a lot of life experience she'll probably always get a little more uncomfortable if somebody's like this yeah for like more than 30 seconds

Watch at 9:25 ↗

and that's what dogs will do to each other right if they're trying to like be intimidating yeah right they'll stare at each other and they'll walk up and they'll get really weird and still

Watch at 9:51 ↗

I'll just do a let's go command instead, instead of a correction, because I'm like, that's really your fault, right, you're not doing anything wrong, this is a normal dog behavior,

Watch at 10:28 ↗

Akira

On Akira's first day the trainer names social pressure as the next step when she resists a sit she has already worked out; at her evaluation he explains it to the family as closeness, tone of voice and moving into the dog's space, and says it works on dogs as it does on people.

On film

Sit. Sit. Akira, sit. So I'm going to put a little social pressure. Akira, sit. Sit.

Watch at 8:49 ↗

pressure that works on dogs too right so things like tone of voice things like

Watch at 16:08 ↗

Apollo (the Sharkie)

At Apollo's go-home lesson the trainer separates the two kinds. Spatial pressure is just getting into the dog's area, which works on Apollo but not especially well. Social pressure is using the relationship: a rebuke from someone who matters lands harder than one from a stranger.

On film

Social pressure, spatial pressure. Spatial pressure is simple. It doesn't work

Watch at 26:30 ↗

legit you're just using your relationship as a way to negatively

Watch at 26:59 ↗

Astro

With Astro the trainer says he can teach the out through social pressure alone. At a later evaluation he describes what a never-again punishment would have looked like: a pop and a collar tap, then social pressure - getting into his space - held until Astro's face shows he has got the point.

On film

I can just teach him the out via social pressure.

Watch at 17:21 ↗

and tapped the e-collar and then i would have also used what's called social pressure i would

Watch at 31:21 ↗

have just gotten into space and be like don't you ever do anything no never do that yeah and

Watch at 31:26 ↗

Bandit

In a September session Kelton tells Bandit's owner that pressure reaches a dog by two routes, social and physical, and that the social route covers space, voice and tone. The one kind of social pressure a dog cannot get is a rational conversation.

On film

pressure flows in all directions and it motivates behavior so with a dog

Watch at 16:14 ↗

pressure right it can be like spatial it can be vocal it can be the tone of your voice all that

Watch at 16:34 ↗

Bane

In Bane's protection session the owner is coached through the out: step in, and if Bane does anything, tell him out, pop the collar and tap the e-collar, then add a little social pressure and say it like he means it.

On film

And then do just a little bit of social pressure and tell him to get out, seriously.

Watch at 35:28 ↗

Baxter

At Baxter's first private session the trainer defines negative reinforcement as pressure and release. He shows the owner what social and spatial pressure are by standing too close to her, and says these are among the kinds a dog understands best, alongside physical pressure.

On film

from me. Like if I stand too close to you, right? That's pressure, right? That's just social

Watch at 30:04 ↗

for a dog the ones that they understand the best are physical social and spatial

Watch at 30:29 ↗

Bernie

At Bernie's go-home lesson the trainer shows the family social pressure on themselves, then adds the nose boop as a way to amplify it. The point is not physical pressure on the nose but getting into his space, then sliding into disappointment. In an off-leash session, fake-out sit breaks are put right with a little social pressure and the conditioned punisher.

On film

another way or another really useful way to like amplify social pressure is just to, if you don't

Watch at 33:42 ↗

on the nose it's not trying to hurt him it's more that i'm getting in his space and doing like this

Watch at 34:01 ↗

did was use a little bit of social pressure and the conditioned furniture to say and put them back

Watch at 1:00:50 ↗

Bun

In Bun's session the trainer stands uncomfortably close to the owner to show her what social pressure feels like. He then lists how it reaches a dog: tone of voice, volume and how close you are.

On film

it's social social pressure um so social pressure i i can give you an example of it this is an

Watch at 26:23 ↗

respond to that kind of stuff too right so you can put social pressure by tone of voice by how

Watch at 27:06 ↗

Cosmo

On Cosmo's first day his trainer finds him resistant to social pressure on the sit: Cosmo tries to avoid it rather than give in, so the trainer locks the leash and makes him sit.

On film

hey come on you got this so he's really resistant to my social pressure too

Watch at 7:50 ↗

which is interesting he's trying to avoid so we gotta we gotta make him sit

Watch at 7:59 ↗

Daisy

With Daisy, who is nervous, the trainer uses only a little social pressure for the sit. He pairs it with release to freedom: she is held in one spot until she does it.

On film

sit and sit sit so with her she's kind of nervous so social pressure for her

Watch at 10:27 ↗

for her sit for her if i just for like a little bit of social pressure and release the freedom

Watch at 10:48 ↗

Deuce

Deuce's trainer uses social pressure in several ways. A look finishes one refusal, and he says he was about to use the e-collar and did not need to. Pulling up on the leash he calls 'that thing with the social pressure'. With a strong dog he uses social pressure to get him halfway into a sit, then pulls him into the down without ever saying sit, so the two commands are not confused.

On film

look. I didn't use the e-collar. I was about to.

Watch at 4:47 ↗

I'm gonna do that thing with the social pressure

Watch at 3:33 ↗

you probably use some form of social pressure so you just want to apply that

Watch at 8:31 ↗

Dutchess

Around high distractions, Dutchess's sit still has to be finished with release to freedom plus social pressure. Her trainer also names his own presence as a confound: dogs behave differently with him because they know what he expects.

On film

So, see, I really have to do a combination of like release to freedom

Watch at 22:02 ↗

plus social pressure currently.

Watch at 22:05 ↗

like my presence does affect dogs

Watch at 23:51 ↗

Finn

On a Home Depot trip Finn refuses a sit he knows, and the trainer pulls up on the leash as 'a social pressure thing'. He says that when social pressure takes real pushing, he normally switches to something the dog likes. With Finn he has not yet found what that is.

On film

All right, so we're gonna do a social pressure thing here

Watch at 9:40 ↗

the social pressure to work then i tend to go for something else the problem with him

Watch at 10:10 ↗

Josephine

At Josephine's go-home lesson the family is told that, because she is very socially sensitive, a firm 'enough, chill out' and space will do most of the work in stopping over-the-top play, with a collar only if necessary.

On film

this with her hey enough chill out she'll be like oh right like because

Watch at 48:50 ↗

she's very socially sensitive right whereas like some dogs are like oh I'm

Watch at 48:57 ↗

Kalypso

On the place cot the trainer waits for Kalypso to actually step off, then fixes the break with voice and by guiding her back. No e-collar is used. He calls it all social pressure and says it was completely sufficient here, though some severe cases do need more.

On film

was all social pressure so I didn't use the e-collar I didn't do anything I just

Watch at 10:21 ↗

e-collar for something like this social pressure it's completely sufficient in this case right so

Watch at 11:08 ↗

Lucy

At Lucy's evaluation the visiting trainer makes eye contact for a moment and it unsettles her. He notes it as the thing he had been avoiding, which is the same pressure the Whiskey and Ozzy sessions describe in a stare.

On film

activated now and she's sniffing me but I just made eye contact with her

Watch at 6:33 ↗

for a second and that freaked her out all right have you shook hands in front of her

Watch at 6:37 ↗

Lunna

When the e-collar's battery dies mid-session, Lunna's place is proofed without it, which the trainer calls trickier and far slower. He adds a limit: some dogs may need nothing more than social pressure, but a clever dog - he names Belgians - learns that it carries no consequence.

On film

proved a place without an e-collar, which

Watch at 10:26 ↗

but like like you're trying to prove commands and you're like i'm gonna just do it off social

Watch at 11:11 ↗

pressure the problem with belgians is they're smart enough to know that social pressure has

Watch at 11:17 ↗

Max (Goldendoodle)

On Max's first day, breaks from the place cot are answered with just social pressure and a 'no, place'. In a later home session, a paw off the cot is put right with social and spatial pressure and no e-collar. At go-home the trainer points out that the owner's own 'uh-uh' with a step toward him was exactly that.

On film

punished it each time with just some social pressure no place right and so it doesn't have

Watch at 14:19 ↗

off really badly, and that's why he took a paw off, and I just used a little bit of social

Watch at 38:16 ↗

Or like what you did here is you went uh-uh,

Watch at 58:24 ↗

That's facial pressure and social pressure, right?

Watch at 58:29 ↗

Oscar

In a recall Short, Oscar turns pressure off by finding the down. The trainer names two sources: very light e-collar taps, and social and spatial pressure coming from him.

On film

times super light pressure there was also some social pressure right like um some some spatial

Watch at 1:41 ↗

Ozzy

Ozzy arrives terrified, so on day one the people avoid staring or eye contact, which the trainer says can make it worse. Weeks later social pressure is the main tool: he can be pressured into a sit and has learned to give in rather than panic, while the e-collar waits until he is ready.

On film

know eye contact or staring at him and stuff like that like i am right now uh that can make it a

Watch at 1:55 ↗

knows with that social pressure just give in as opposed to panicking which I can show off in a minute here

Watch at 2:29 ↗

no i'm saying with that though like that's all social pressure right

Watch at 22:15 ↗

Penny

When Penny starts to leave the place cot with a cat in view, Kelton gives her some social pressure and then the 'good girl, good place' cue.

On film

and i gave her some social pressure and gave her the natural reinforcement cue which is the

Watch at 4:01 ↗

Phoebe

In a lesson with Phoebe the trainer gets a sit by doing nothing but walking toward her, and names it spatial pressure.

On film

I'll use Spatial Pressure.

Watch at 26:02 ↗

I was just walking towards her.

Watch at 26:07 ↗

Piglet

In Piglet's first in-program lesson the trainer uses a human example - being angry at someone who was not where you expected - to show that getting mad or getting close is social pressure. That is the penalty side of free-shaping a calm liberty window.

On film

and you punished it you penalized it right um because getting mad like that that's like social

Watch at 23:57 ↗

pressure right if I yelled at you right now or if I like got like super like

Watch at 24:03 ↗

Rocky

For Rocky, his trainer says, the most potent tool is social pressure. Moving into his space makes him suppress, then sit to appease. A two-finger boop on the nose is taught as a way to amplify social pressure, not to cause pain or even physical discomfort.

On film

the e-collar obviously you can use that um for him the most potent one's actually social pressure

Watch at 22:58 ↗

suppressed a little bit and then he just like did something to kind of appease me and sat okay buddy

Watch at 23:28 ↗

him um or even to cause any kind of physical discomfort it's actually just amplification

Watch at 16:38 ↗

Shadow (German Shepherd puppy)

With the owners watching, Shadow avoids a sit while she is hyped up, and Connor adds 'a little social pressure'. He then holds her in place under release to freedom until she does it.

On film

okay come on shadow sit sit I'll do a little social pressure okay so what I

Watch at 34:25 ↗

Simba

On Simba's first day the trainer gets a down by pressuring him into position without saying sit, so the down never comes to depend on a sit first.

On film

sit every time but it's just you can social pressure into the position and

Watch at 15:08 ↗

Sputnik

In the private lesson for Sputnik's household, the trainer's tone moves from firm to disappointed after the boops. He says that is social pressure, and that it is more powerful coming from the owner with the tightest relationship. At go-home he steps into the space of Bear, the household's third dog, to show the family how a dog's whole face changes under it.

On film

right because they do respond to that that's social pressure for them especially it's more

Watch at 11:42 ↗

powerful if it comes from you guys probably especially you um whichever one of you has like

Watch at 11:47 ↗

from me um so dogs feel that too so if i go up to bear and i go hey hey you see how his whole face

Watch at 25:04 ↗

Thor

In Thor's home training a break from the cot is fixed with mostly social pressure and a flat-collar tap, no e-collar. At go-home Kelton gives the family the collar-free version: social and spatial pressure plus a two-finger tap on the nose, which 'adds a little more social pressure'.

On film

him there. That was mostly just social pressure and just kind of like tapped him with the flat

Watch at 28:27 ↗

it adds a little more social pressure okay right um because you can think like same thing with me

Watch at 30:16 ↗

different way okay right um just use social pressure and spatial pressure and just kind

Watch at 3:31 ↗

Titan

At Titan's go-home lesson the family is told that Titan needs a little extra social pressure: tone matters with him. That means not yelling, but a strong tone, where some dogs need only the word before the collar.

On film

Um, I didn't go over social pressure a ton with you, but with him, you want to use a little extra

Watch at 4:36 ↗

to like yell and scream at him or anything but it needs to be a strong tone I'll do it in a minute

Watch at 5:18 ↗

Why it works

As the trainers explain it: pressure is anything the dog wants to end, and the handler's body, closeness and tone are pressure the same way the leash and collar are; release when he complies is what teaches (Marvin's trainer, Christian with Max). Its weight depends on the relationship - the owner's displeasure lands harder than a stranger's (Bubba Gum, Murphy) - and on duration as well as intensity (Roxy, Zeus). Sensitive dogs feel it strongly enough that it can replace physical pressure (Bo, Neo, Marvin), and nervous dogs can be pushed off a command by it (Lola) or freeze under it (Marvin's recall), which is why the same trainers take it away when it is the cause. A wider reading of the session record adds the trainers' own split between the two: spatial pressure is simply entering the dog's area, social pressure is the weight of the relationship behind a rebuke (Apollo, watch 26:30, 26:59), and a nose boop is 'amplification' of social pressure rather than pain (Rocky, watch 16:38). Why a clever dog stops responding to it is stated once and not tested: it learns that social pressure alone has no consequence (Lunna, watch 11:17).

On film

So everything is kind of like pressure and release, even positive reinforcement training, pressure and release.

Watch at 11:57 ↗

But if you're annoyed with bubblegum, that's going to make a bigger impact on her because of the relationship.

Watch at 40:26 ↗

a few like a few minutes like several minutes of yelling that's more that's a lot more there's a

Watch at 42:51 ↗

give her a little space, okay? She keeps avoiding you. That's why she's trying to get off, right?

Watch at 8:47 ↗

it only has power insofar as it is paired with a punishment of some kind that is just real to them and for them real is social and physical

Watch at 37:08 ↗

and that's what dogs will do to each other right if they're trying to like be intimidating yeah right they'll stare at each other and they'll walk up and they'll get really weird and still

Watch at 9:51 ↗

legit you're just using your relationship as a way to negatively

Watch at 26:59 ↗

him um or even to cause any kind of physical discomfort it's actually just amplification

Watch at 16:38 ↗

pressure the problem with belgians is they're smart enough to know that social pressure has

Watch at 11:17 ↗

Inferred

Why two dogs standing shoulder to shoulder both stall on commands is not explained on film; the trainer says he does not know. Reading it as social pressure between the dogs is the map's placement, not a trainer's claim.

Where the trainers differ

Add social pressure, or remove it?

One view

Step in, get firm, let the tone carry disappointment: social pressure to get compliance

On film

I go, you ignored me, so I'm going to add social pressure.

Watch at 3:27 ↗

stormy down nope i'm just social pressure so i'm just like kind of exerting a lot of like presence over top her body right there

Watch at 11:11 ↗

Another view

Move the person away; a nervous dog breaking a command near someone is avoiding them

On film

give her a little space, okay? She keeps avoiding you. That's why she's trying to get off, right?

Watch at 8:47 ↗

and so then instead I'm just gonna verbally encourage Marvin come on come right over here right instead of putting pressure because he doesn't need pressure there he needs reassurance

Watch at 10:04 ↗

I was like hey like she's nervous don't stare at us

Watch at 2:02 ↗

How to read it

Not a disagreement between trainers but between dogs and moments: the same pressure that finishes a refused command in a confident dog is the cause of the break in a nervous one. An owner needs both halves.

Loud or quiet commands

One view

Train quietly so the client's normal voice works

On film

like messed people up. So, I do now train with a much low like I train with

Watch at 4:06 ↗

Another view

Get firm in front of the dog when a cue is ignored

On film

so I kind of get in front max down okay and I'm firm about okay

Watch at 3:18 ↗

How to read it

Roxy's trainer says he used to train loudly and Christian pointed out it made clients' quieter commands fail; he now trains quietly, raising his voice only at distance. Christian's own method with Max is to get firm when ignored. Both can be true - quiet by default, firm when ignored - but no one states that on film.

Common owner mistakes

  • Standing or letting a child stand too close to a nervous dog on a place cot, then reading the break as disobedience.
    On film

    give her a little space, okay? She keeps avoiding you. That's why she's trying to get off, right?

    Watch at 8:47 ↗
  • Telling the dog off at length; several minutes of it is much more pressure than one firm sentence.
    On film

    somebody like yell at you for more than like 20 seconds? Have you ever had

    Watch at 3:24 ↗
  • Using a loud voice as the normal command voice, so the dog stops answering an ordinary one.
    On film

    made me aware of this a while ago. I used to train where everything I did was

    Watch at 3:55 ↗
  • Correcting a single warning bark at a person who keeps staring at the dog. Whiskey's trainer treats that bark as the person's fault and answers it with 'let's go', not a correction.
    On film

    I'll just do a let's go command instead, instead of a correction, because I'm like, that's really your fault, right, you're not doing anything wrong, this is a normal dog behavior,

    Watch at 10:28 ↗

Questions owners ask

What is social pressure?

Your body and voice used as pressure: stepping into the dog's space, standing over him, a firm or disappointed tone. Marvin's trainer puts it alongside the leash and the e-collar as one of the three ways pressure is added, and says some dogs are really sensitive to it.

On film

So you could be adding more pressure with an e-collar or with a leash or with social pressure because Marvin's really sensitive to it.

Watch at 12:09 ↗

Do I need the e-collar if my dog listens when I step toward him?

For sensitive dogs the trainers often start there. Christian steps in front of Max before any tap, and on a later rep that alone was enough. Bo's trainer did a whole exercise on social pressure alone. When it is not enough, Christian adds the collar and stops the moment the dog complies. On the place cot several trainers say outright they did not need it: Kalypso ('I didn't use the e-collar'), Thor (mostly social pressure plus a flat-collar tap; the trainer says no e-collar was necessary) and Max the Goldendoodle. Lunna's session is the counterpoint: proofing place without the collar was possible but slower, and some dogs learn to ignore pressure that is never backed.

On film

like i didn't push the button or anything i just got in his face and he was like yeah you better do it right and he was like okay

Watch at 7:01 ↗

I did not use any kind of physical negative reinforcement. That was all social pressure, which Bo responds really well to.

Watch at 10:15 ↗

was all social pressure so I didn't use the e-collar I didn't do anything I just

Watch at 10:21 ↗

him there. That was mostly just social pressure and just kind of like tapped him with the flat

Watch at 28:27 ↗

off really badly, and that's why he took a paw off, and I just used a little bit of social

Watch at 38:16 ↗

proved a place without an e-collar, which

Watch at 10:26 ↗

My dog keeps getting off his bed when my child is near. Should I correct him?

Lola's handler did not. He moved the child and said why: she was avoiding the child, and that was why she kept getting off. Check where the people are before you correct.

On film

give her a little space, okay? She keeps avoiding you. That's why she's trying to get off, right?

Watch at 8:47 ↗

Does it matter who tells the dog off?

Yes, say two trainers. Bubba Gum's trainer tells the owner her annoyance will matter more than his because of their relationship, and Kelton tells Murphy's family to use theirs, letting the tone fall into disappointment after a correction.

On film

And for you, your social penalty is going to be more effective with bubblegum than mine, right?

Watch at 40:13 ↗

so you can use your relationship with him as social pressure where you can

Watch at 1:04:53 ↗

A stranger keeps staring at my dog and she barked. Should I correct her?

Whiskey's trainer says no. A long stare is pressure in dog terms - predatory or intimidating - and a mature dog will probably always find a stare of more than about 30 seconds uncomfortable. He asks the person to stop, walks her away if they keep on, and answers a single warning bark with a light tug and 'let's go' rather than a correction, because the bark is the person's fault.

On film

and that's what dogs will do to each other right if they're trying to like be intimidating yeah right they'll stare at each other and they'll walk up and they'll get really weird and still

Watch at 9:51 ↗

I'll just do a let's go command instead, instead of a correction, because I'm like, that's really your fault, right, you're not doing anything wrong, this is a normal dog behavior,

Watch at 10:28 ↗

Does social pressure work on every dog?

Not every dog and not every moment. Hattie's earlier record describes a dog for whom a soft no does most of the work; Stormi goes down on presence alone. With Nikki, at the kennel door, a handler reports that social pressure did not seem to faze her. Hattie's trainer gives the general reason a word or a look stops working: it only has power while it is paired with something the dog finds real, and that means social or physical. The wider record adds more limits. Cosmo resists it and tries to avoid it rather than give in. Finn's trainer says that when it takes real pushing he would normally switch to a reward. Titan needs a stronger tone than most. Lunna's trainer warns that a clever dog can learn social pressure alone has no consequence. For the most nervous dogs it is dosed down: Daisy gets only a little, and nobody stares at Ozzy.

On film

that works great not even that hard honestly I don't just mostly just like a soft no

Watch at 32:05 ↗

stormy down nope i'm just social pressure so i'm just like kind of exerting a lot of like presence over top her body right there

Watch at 11:11 ↗

face at all she didn't care um but she went she went in

Watch at 0:51 ↗

it only has power insofar as it is paired with a punishment of some kind that is just real to them and for them real is social and physical

Watch at 37:08 ↗

hey come on you got this so he's really resistant to my social pressure too

Watch at 7:50 ↗

the social pressure to work then i tend to go for something else the problem with him

Watch at 10:10 ↗

pressure the problem with belgians is they're smart enough to know that social pressure has

Watch at 11:17 ↗

sit and sit sit so with her she's kind of nervous so social pressure for her

Watch at 10:27 ↗

The lesson

The goal

The owner can use their body and voice as pressure to back a known command, and can recognise when their presence is the pressure making a nervous dog break.

Learn first

The drill

As run by Christian with Max: give a known cue; if it is ignored, step in front of the dog and repeat it firmly; if still ignored, mark and add the next level of pressure until he complies, and stop the moment he does. As run by Levi's trainer for an owner without a working collar: step into the dog as you ask for the sit.

Watch out for

  • Lecturing for minutes rather than one firm line.
  • Leaning on a nervous dog who is breaking because of your closeness.
  • Using a raised voice as the everyday command voice.

Check yourself

Your dog breaks a down every time your partner walks past. Before correcting him, what do you change?

ONE TEAM. MORE WAYS TO UNDERSTAND THE WORK.

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